The RØDE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' equipment, the VideoMic is designed particularly for use with high feature Digital Video Cameras.  Designed particularly for use with high feature Digital Video Cameras. Click to enlarge. |  Attaches to most camcorders and utilizes stereo mini jack audio output. |  View frequency response and polar pattern. Click to enlarge. | Delight in studio recording feature with pro facial advent like integrated shockmounting, a two-step high-pass filter (flat or 80Hz), and a three-stap pad (0, -10, -20dB). The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to its ABS construction. The VideoMic is powered by a standard 9V battery and offers a Low Battery LED status indicator. Integrated shock-mounting and the switchable high-pass filter reduce uninvited low frequency rumble, and a windshield is also included. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output. VideoMic Specs
- Power: 9V battery powered
- Acoustic Opinion: Line descent
- Directional Pattern: Super Cardioid
- Frequency range: 40Hz-20kHz, selectable HPF @ 80Hz/12dB/octave
- Output impedance: 200 Ohms
- Signal noise ratio: 74 dB SPL (A - biased per IEC651)
- Equivalent noise: 20 dB SPL (A - biased per IEC651)
- Maximum SPL: 134dB SPL (@ 1kHz, 1% THD into 1KOhm load)
- Sensitivity: -38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
- Weight: 176gm
- Dimensions: 65mmH x 250mmW x 102mmD
One Year Warranty
All RØDE products are warranted for one year from date of buy (extendable owing to online registration). What's in the Box
RØDE VideoMic and Shockmount, Windscreen
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 RODE Videomic vs. Sennheiser ME66 |
| Review Date: January 13, 2009 |
| Reviewer: Dvestore, Seattle, WA |
| Watch Video Here: http://www.amazon.com/review/R1M50PPV7VB5CK Here we test the RODE Videomic against the traditional "pricey" key. A BeachTek XLR adapter with a Sennheiser XLR based shotgun mic. Learn more about achieving high feature sound from Guy Cochran at DVcreators.net. |
Brilliant Product for both Professional & Non-Professional
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| Review Date: March 23, 2005 |
| Reviewer: orange-man, Chicago, IL |
The introduction in the owner's manual states it perfectly. Rode said that when looking for a excellent camcorder microphone, they were either dreadful pieces of junk or super pricey professional models and so they chose to design a mic for this purpose. This model strikes a exact balance. The feature of this mic is brilliant. It is very sensitive and has excellent directional properties so it rubbish noise to the side quite well. Although not meant for alternative up sound from long distances it can do quite well from 20 feet away and maybe more.
The mount is attached to the mic so this is the only way you can use it and it is made to mount to the standard "shoe" that is on nearly all camcorders. It is a mono microphone but it has a stereo miniphone jack that plugs in the camcorder mic jack and feeds the audio into both channels. After trying several second-rate microphones I was delighted to stumble upon this mic. It is a excellent value and an brilliant microphone for camcorders. |
RODE Rocks!
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| Review Date: May 25, 2007 |
| Reviewer: R. Pena, Southern California |
After spending many days combing the internet and reading review after review I chose to give the RODE VideoMic Directional Camcorder Microphone a try. I wanted a touch that was excellent, light, to some extent small and inexpensive. I have a small mini dv camcorder that is only about 5 inches long and didn't want a mic that would get in my viewfinder's shots. The mic sticks out about 5 inches in front of my lens, but manages to stay out of my shots.
First let me comment on the sound. This small bugger picks up sounds very well. In a silent room I can be 40 yards away and still pick up the exchange. The feature is outstanding. The audio compared to the built-in mic in my camcorder is night and day. The Rode is so clear. The price is fantastic. I'm guessing the feature would compare to other mics in the $300 range.
My Rode came with a Dead Cat wind screen which resembles a cat's tail. It really saved me some money! At first I didn't use the Dead Cat, but then I ran into a small wind which interfered with gathering excellent audio. After using the Dead Cat, I always keep the wind screen on the mic. It does not interfere with the clarity of the audio and works incredibly well in breezy situation. I will mention that I had to trim the hair on my wind screen since I could see the hair in my videos. After trimming the hair a bit, the wind screen is still effective and no more hair dangling in the top of my video screen.
The shock trembling design is cool and they even gave me extra rubber band thingies. This mic sits high off the camera and stays out of my shots. Since the mic is to some extent far away from the camcorder, I don't pick up any camera whining noise that can happen with other mics that are too close to the camera. Even on my hotshoe, I don't get any whining.
I wish I could say that I have used $300 mics and above, but I haven't. I will say that you won't be disappointed with this microphone. I'm a photojournalist by trade and I have begun to shoot video for our newspaper's web publication. This mic is exact for my needs.
If you buy it, don't forget to turn off the mic. I accidently left mine on. There is no auto shutoff. |
A fantastic mic
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| Review Date: August 23, 2007 |
| Reviewer: Michael, Portland, OR |
| I continue to be impressed with the feature of the VideoMic. I use it on a Canon HV20 and have been amazed at its clarity, range and power. The thing looks a small funky. The plastic shock mount wiggles around a lot and is everlastingly attached to the mic. It is very susceptable to handling noise, but mounts to the small camera well and delivers feature audio for a part of the cost of its larger brothers, which are rather hard to maneuver to use on a small camcorder. Rode has delivered on its goal of donation a fantastic mic for the small camera and in spite of its plastic parts and odd design, it is a fantastic tool. |
The Best Video Mic
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| Review Date: August 1, 2008 |
| Reviewer: Seth K. Johnson, East Coast USA |
I bought this mic and a Canon Vixia HF100 for my vacation to Maui and it was a fantastic pairing. The mic was very light, lasting and so simple to use, even Mom could use it: the mic only has an ON/OFF switch. Apparently you can switch to 0db, -10db or -20db from inside the battery screened-off area. I haven't tried this gathering yet.
The mic is powered by a 9v battery which is uncommon than my other two mics (AT55 and Sennheiser ME66). I reckon it has pretty excellent battery life; I used it for 6 days off and on and didn't have to replace the battery.
The one gripe is that I did break one of the proprietary rubber bands that holds the mic to the base (it's for shock absorption and isolates the mic from camera). I had it in my bag for the 15 hrs that it took me to glide to HI and the pressure must have been too fantastic. I am buying a camera-point backpack for future ventures.
The Rode has a normal shoe mount which works with my Canon Optura 30s. It didn't work out of the box for my Vixia HF100. The Vixia has an well ahead accessory shoe which is a proprietary Canon shoe that requires an adaptor Adorama Canon Mini Well ahead Accessory Shoe to Complete Shoe Adapter (FLAT TYPE) - Black
The adapter wiggles but I wanted to use the Rode instead of the canon DM50 since if you want a mic, go to a mic company. |
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